Priyadershini Deivakumar recreates scenes from the Austrian film Fly Away Home, and takes us through her process.
Mukesh Manjunath was once a boy who watched too many movies. He writes a personal essay about the cinema that made him.
Ramchander wonders why we seem to be seeing the same few stories over and over, when there are several more unfolding at any given moment in Chennai.
Anusha Srinivasan writes about Sancharram and Trembling Before G-d, films that talk about oft-ignored stories.
Martha reports from die Seriale, the oldest festival in Germany dedicated to independent web and digital series.
We have essays, interviews, a comic panel and a photo story. Read on to find out more!
Filmmaker Mirjam Unger and screenwriter Sandra Bohle from Vienna talk to Ram about their work, creative process, cinema in Austria, and much more.
John Tung talks to us about Cinerama, the moving image exhibition he curated, his interests and influences.
Ming Wong talks to us about art, inspirations, his love for old cinema halls, and Making Chinatown.
Vishwanathan shares with us memories and pictures of theatres in Nagercoil and Chennai. Allow him to take you places!
நாகர்கோவில் மற்றும் சென்னையில் உள்ள திரையரங்குகளின் புகைப்படங்களையும் தனது நினைவுகளையும் பகிர்வதன் மூலமாக, நம்மை அவ்விடங்களுக்கு அழைத்துச் செல்கிறார் விஸ்வநாதன்.
Mooondk created a comic panel for us, about film and gender roles.
A comic panel in Korean about film and gender roles, by Mooondk.
Letícia Magalhães writes about the history of film and film magazines, and how our perception of both has evolved in the last century.
Letícia Magalhães escreve sobre a história das revistas de cinema e cinema e como nossa percepção de ambas evoluiu no último século.
Sara Cousins writes about Sweet Country, a movie set in the Australian outback.
Jiya writes about her fascination for Horror stories, and why the movie Pari brings some freshness to this genre.
Anusha Srinivasan writes about the Italian film Easy, and her experience of watching it.
Nilavazhagan writes in great detail about the artistic choices that make the Tamil independent film Revelations stand out.
சுயாதீன தமிழ்ப் படமான ரெவலேஷன்ஸ் தனித்தன்மை பெற்றிருப்பதற்குக் காரணமான கலைநயத் தெரிவுகளை விவரிக்கிறார் நிலவழகன்.
Ramchander shares with us his notes from the Singapore South Asian International Film Festival 2017.
The third issue of The World of Apu is here!
Michael Clancy looks at how space has been used in Akira Kurosawa’s High and Low.
Anusha Srinivasan writes about Anand Pandian’s Reel World, which is an anthropologist’s examination of Tamil cinema.
Anusha Srinivasan writes about how the movie Ruby Sparks almost subverts the Manic Pixie Dream Girl trope.
திரைத்துறையின் விளிம்பில் வாழும் மனிதர்களின் வாழ்வைச் சித்தரிக்கும் அசோகமித்திரனின் கரைந்த நிழல்கள் நாவல் பற்றி அதியனின் பார்வை.
Athiyan writes about Ashokamitran’s novel Karaindha Nizhalgal, which looks at the lives of those on the peripheries of the Tamil film industry.
Yafrainy hace una lista para nosotros.
Yafrainy makes a list for us.
Deepak sketches some memorable characters from Quentin Tarantino’s films.