Kenneth Tan, the chairman of Singapore Film Society, speaks about his 29-year-long association with the European Union Film Festival.
The Dutch filmmaker tells us about his nature films and making animals act, among other things.
The designer and illustrator talks to us about art and cinema.
Aswin Ramachandran attended the Dalit Film and Cultural Festival (DALIFF) in New York earlier this year, and wrote about it for us.
Anuradha Warrier writes about the women in the progressive cinema of Nav Ketan.
Sureshkumar revisits a movie from his childhood, under very different circumstances.
Konstantinos reflects on the narrative and character development of the television series.
Elancharan Gunasekaran writes a haiku sequence inspired by the film Lords of Chaos.
Navigate the issue here!
Brief notes from Iniyavan Elumalai, who attended the International Film Festival at Rotterdam this year.
P. Lakshmi Narayanan attends the Independent Film Festival of Chennai 2019.
Iniyavan Elumalai, our press correspondent at IFFR 2019, chats with filmmaker Gurvinder Singh.
Iniyavan Elumalai chats with Eva Ionesco at IFFR 2019, helped by a translator and a lot of coffee.
The founder and editor of The Silent Film Quarterly, the only magazine dedicated to silent cinema, answers our questions with much enthusiasm and patience.
The documentary and feature filmmaker from Iran answers our questions over email.
…and her performance of ‘Nazar Lagi Raja Tore Bangle Par’, Richard Singer writes.
Sureshkumar listens closely to the “Married Life” montage from Up, to examine how music is married to the moving images.
Rose Dymock writes about the 1958 movie Shadows, directed by John Cassavetes.
Konstantinos writes about Found Footage and its long-standing popularity in the horror genre.
Madhu watches two contemporaneous Tamil movies and writes about them.
A quick look at what’s in store + an announcement!
Film recommendations for different moods, in different languages.
Omar Ahmed makes an impassioned plea for us to pay attention to the films that constituted this movement.
Konstantinos makes a case for VFx as an effective storytelling tool.
Iniyavan makes a list for us.
Naveena tags along with a film crew and lives to tell the tale.
Ramchander overhears a conversation between Santiago Gamboa, a novelist from Colombia, and Tran Anh Hùng, a filmmaker from Vietnam.
This interview with writer-cinematographer-director Chezhiyan touches on a wide range of topics—world cinema, realism in cinema, independent cinema, current trends in Tamil cinema, and his approach to cinematography.
Mitsu visits some of Old Delhi’s single screen cinemas and comes back with pictures.