Rose Dymock writes about the 1958 movie Shadows, directed by John Cassavetes.
Konstantinos writes about Found Footage and its long-standing popularity in the horror genre.
Madhu watches two contemporaneous Tamil movies and writes about them.
A quick look at what’s in store + an announcement!
Film recommendations for different moods, in different languages.
Omar Ahmed makes an impassioned plea for us to pay attention to the films that constituted this movement.
Konstantinos makes a case for VFx as an effective storytelling tool.
Iniyavan makes a list for us.
Naveena tags along with a film crew and lives to tell the tale.
Ramchander overhears a conversation between Santiago Gamboa, a novelist from Colombia, and Tran Anh Hùng, a filmmaker from Vietnam.
This interview with writer-cinematographer-director Chezhiyan touches on a wide range of topics—world cinema, realism in cinema, independent cinema, current trends in Tamil cinema, and his approach to cinematography.
Mitsu visits some of Old Delhi’s single screen cinemas and comes back with pictures.
A quick look at what we have in our anniversary issue, and notes from the editors.
Once again, film recommendations for many moods, in many languages.
Anusha reports from the 33rd edition of ReelQ Film Festival in Pittsburgh.
Amit Agarwal takes a close look at Mrinal Sen’s 1982 film Kharij.
Michael Derrick writes about Hollywood’s tryst with horror, and Nicolas Winding Refn’s polarizing film, The Neon Demon.
Kasper Håkansson writes about a novel that is part historical fiction and part nightmare. What if cinema was a tool for world domination?
Anusha attends Silk Screen film festival in Pittsburgh.
Priyadershini watched Kamila Andini’s film and attempts to recreate her journey.
Anusha writes about ReelAbilities Pittsburgh, a film festival with a difference.
Why watch a movie? Why write about it? Madhu has questions, and maybe some answers.
Ramchander’s notes from Sg.SAIFF 2018.
Ramchander met the filmmakers when they were in Singapore, for Sg.SAIFF 2018.
A short interview with the team behind MFSC.
Jayanthi Sankar spends a day at the Singapore South Asian International Film Festival 2018.
An interview with Amit Agarwal, Artistic Director of the Singapore South Asian International Film Festival.
A short essay by Sara Siddiqui Chansarkar, about the potent power of nostalgia, and a song from the Hindi film Pakeezah.
A directory of features in our sixth issue. You could begin here!
Film recommendations for many moods, in many languages.