Ramchander writes about the Israeli film Scaffolding, one of the films in competition at the Singapore International Film Festival 2017.
Aashish Gadhvi examines how Hindi cinema portrays the Indian abroad, and how this has changed over the years.
The World of Apu asked director Ali Asgari a few questions about his movie Disappearance, and his love affair with cinema.
The World of Apu interviews Matan Yair, screenwriter and director of Scaffolding.
A conversation with Anucha Boonyawatana, the director of Malila: The Farewell Flower.
We spoke to Davide Cazzaro, publisher and editor-in-chief of NANG Magazine, and Ben Slater, the guest editor of NANG’s first issue.
Ben Slater put together the book 25: Histories and Memories of the Singapore International Film Festival. We speak to him about this book, his experience with SGIFF, and film festivals in general.
An expansive interview with Ms. Wahyuni Hadi, the Executive Director of the Singapore International Film Festival.
Jayanthi Sankar shares with us film-inspired art work, and a couple of anecdotes.
Maeve Rafferty writes about Brooklyn the novel and Brooklyn the movie, through the prism of her experience as an Irish immigrant in the US.
Lopamudra wonders why the beloved fictitious Bengali detective Byomkesh Bakshi has never enjoyed a successful transition to cinema.
Athiyan writes about his experience of reading a Tamil translation of Chemmeen, the Malayalam novel, and watching Chemmeen, the classic Malayalam movie.
Ravi Kiran writes a short story that takes off from where Arrival (2016) left us, and explores Louise’s feelings in the aftermath.