Karthick RM thinks it’s time we paid more attention to the villain in Tamil cinema.
Arvind argues that this widely loved Tamil film does a grave disservice to trans people.
Ramchander writes on Mysskin’s film Onaayum Aattukkuttiyum and translates passages from the filmmaker’s book about the film.
Anusha attempts to write a short story, but it will not be entered in our contest.
Denin Rajkumar’s artwork presents Tamil film personalities in new and unexpected ways.
Ramchander gives us a taste of Isai’s poems that observe life through the lens of Tamil cinema.
Shakila Zamboulingame analyses the representations of women in this iconic Tamil film from 1952.
Ramchander writes about Bharathiraja’s OM and Parthiban’s Oththa Seruppu, screened at Singapore South Asian International Film Festival.
Madhu watches two contemporaneous Tamil movies and writes about them.
Ramchander argues that Pa Ranjith’s filmography is never lacking in form, even if such complaints abound.
Ramchander wonders why we seem to be seeing the same few stories over and over, when there are several more unfolding at any given moment in Chennai.
Anusha Srinivasan writes about Anand Pandian’s Reel World, which is an anthropologist’s examination of Tamil cinema.