Ramchander writes about Bharathiraja’s OM and Parthiban’s Oththa Seruppu, screened at Singapore South Asian International Film Festival.
Madhu watches two contemporaneous Tamil movies and writes about them.
Ramchander argues that Pa Ranjith’s filmography is never lacking in form, even if such complaints abound.
Ramchander wonders why we seem to be seeing the same few stories over and over, when there are several more unfolding at any given moment in Chennai.
Anusha Srinivasan writes about Anand Pandian’s Reel World, which is an anthropologist’s examination of Tamil cinema.